Auras appear to be artifacts of our interactions with all of the rest of creation to manifest whatever we need within our world. Auras are a kind of visual factor to comprehending the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness which is our link with creation whereby all our dreams are made manifest.
When we pray, meditate or day dream our Aura color meanings become more highly charged and that we may discover our prayers have been answered, our thoughts have turned into reality, or our dreams came true. We quite often attribute this sort of experience to coincidence but those among us who understand the belief that we create our own reality recognize that this is not coincidence; instead, those individuals understand that this really is our natural ability to directly manipulate reality, which we are developing on a level of our conscious awareness using our thoughts and feelings to guide ourselves.
There is a real interaction occurring between us and the world around us over a subtle level that may be perceived by developing the talent to see auras. All of us have this talent; it is an innate a part of who and whatever we are. However, developing this talent to a degree where we might consciously perceive and study auras may take a little work. By imagining we already are able to do that we can open the best way to actually develop this talent in to a useful tool within our lives. While imagination could be our initial step on this journey, our journey continues beyond the limits of our imagination and could manifest in a very real talent that helps us to perceive the planet around ourselves more clearly as well as change this world more deliberately.
I realize that auras appear as colors that move about and in a subject. With any given subject there appear to be many associated colors, usually there are a few particular colors which seem to be dominant. The colors as well as their forms and motions often change in response to my thoughts or perhaps the thoughts of my subject when i am studying them. The interactions of my thoughts with the colors of my subject’s aura assist me to to begin to build up a sense of what is happening inside my subject’s life and whatever they might need to learn.
Typically We have preferred to sketch a portrait of my subject over a roughly textured neutral gray paper with colored pastel pencils. Drawing the underlying type of my subject’s face takes about five minutes to produce a light sketch, meanwhile the action of drawing helps you to move me right into a more meditative, receptive state of mind in which the colors start to become clearer.
If no dominant colors or patterns are apparent then I consider each one of the colors to be able from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors commence to emerge. (A set of color flash cards or even a color wheel can be a useful tool for this purpose.)
Since the what color is my aura are moving I have to observe them for patterns and intensities and after that render a montage in the themes I see so the most striking or important parts are portrayed.
I speak with my subject because i sketch, making suggestions that return responses in my subject’s aura which helps me to unravel the meanings from the colors and what is most likely transpiring in my subject’s life that is certainly being displayed within the aura.
Dark or clouded elements of a feeling typically represent secrets or information my subject is repressing. Often these are generally things my subject is painfully aware of or possibly is attempting to deny.
Light, bright or shining areas of an aura indicate well being and balance. Sparkling parts represent an anticipation of imminent events.
It is easy to see the influences of another person upon my subject as my subject concentrates on that person; it may then be apparent what role that body else plays and whether they will help or hinder my subject in particular ways.
Like any psychic practice, the reader should always take into account their very own state to be and should take care not to project details that belongs to them life in to the reading given to an issue.
My paper tablet becomes a special window for me. Using one side I contain myself so as never to contaminate a few things i see through my window. The life of my subject appears to me through my paper tablet. Your window of my paper tablet assists me to maintain the focus of my reading upon my subject while inhibiting me from interjecting a reading personally in to the process.
If you are not artistically adept you might still use the paper tablet and colored pencils, rather than striving to make a likeness of your subject’s physical features dispense using the portrait preamble and instead doodle as you study your subject till the inspiration involves begin reading their aura.
My favorite mixture of colors is Green and Purple. Both of these colors in combination represent Art within the Magick sense and inventive activities including writing or painting within the more mundane aspect. Typically this color combination is accented with Gold or Yellow. This is the property by which the Art or art talks to us, transforming us.
The potential for Art (Magick) within the act of drawing a portrait is extremely strong. Your reader may work as a healer and could attempt to downplay a style which may be related to pain or suffering while playing up themes of happiness and spiritual advancement. Yet it is essential to guide the subject when applying any Art, for the lesson coming from a pending hardship may be required from the subject as well as the lesson must still manifest within their life in certain form. Typically this type of lesson is replayed repeatedly in a subjects life; so instruction may be drawn off their past, such that they might finally ‘get it’ and dispense with the requirement for many further repetitions of any lesson which can become potentially harmful or unpleasant in general.
The effective use of Art rarely prevents the following cycle of this repetitious lesson from playing out, however it may ameliorate the next cycle to a few great or small degree as well as the subject could be better able to learn from another repetition with their lesson if the reader has properly prepared those to perceive and understand their lesson.
To start your own exploration of auras get some crayons and some rough neutral paper. The backs of brown paper shopping bags are extremely great for this. You can use photographs, objects around your home, pets, plants or nljsii as the subject. White and black photographs are particularly good for this type of exercise. Place your subject against a neutral background like a vacant white wall. Study your subject round the edges, if it is someone, pay particular attention to the crown chakra in which the energy channel is often strongest. (You may also try directly observing a subject’s chakras.)
Personally, I find the edges of the subject’s profile are the most effective places to begin seeing the interplay of colored light that emanates from inside them. If you think you see nothing, then imagine your opinion you might check if you could see auras. Take notes using the colored pencils and then try to associate your ideas with all the Chakra colors while you take notes. This can be achieved by simply using the color crayon that seems most suitable to you personally to create your feelings with. You might be not essential to organize your perceptions in the form of an image. Sometimes a thought might have one strong color and many associated colors. You can loosely overwrite whatever you decide to have written with the exact same words in a different color if this seems appropriate, or you may find new words emerge while you pick a new color in association with something you have already written or drawn.
Just allow this to take place; don’t get too associated with the way you do this or what you might like to know about a subject. Instead, open your heart and mind to each and every tiniest thought and feeling and follow these wherever they may lead you.